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6lack Drops Much-Awaited Debut Album

Atlanta rapper 6lack seeks to make a name for himself as he drops his Free 6lack album.

The eleven-track collective marks 6lack's (pronounced “black”) highly-anticipated debut onto the Hip-hop scene, and upon an initial play through, the record proves the Atlanta emcee's got game. The album caters to multiple chart-capable singles, such as “PRBLMS”, “Gettin' Old”, as well as “Ex Calling”, which covers Future's “Perky Calling”.

Signed under Interscope Records, 6lack proudly represents the ATL collective LVRN (LoveRenaissance), and upon years and years of projecting songs through Sound Cloud, 6lack finally punctuates his mark onto the scene with a formidable debut record.

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Termanology Returns with “More Politics” and New Video

Long after his memorable debut, Termanology follows-up with More Politics, which has recently been made available for online streaming and downloads.

Erupting onto the scene in 2008, Term appeared on a memorable underground hit fashioned under the DJ Premier accolade, “Watch How It Go Down”. With multiple critically-acclaimed singles already circulating within the scene, Term dropped his highly-anticipated debut record, Politics As Usual, which combined an A-class production lineup with Term's braggadocio persona.

The recently released More Politics marks eight excruciatingly-long years in response to his breakout album, and rallied alongside Term is an extensive list of guest artists, including Joey

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Drake, Kendrick Lamar, Kanye West, and more on People's Choice Awards

A laundry list of Hip-hop artists snag multiple nominations for next year's People's Choice Awards.

Los Angeles—The Microsoft Theater will be hosting the 2017 People's Choice Awards scheduled to premier on January 18. As preparations are already underway, several nominees across an eclectic range of categories have already been named.

While Kendrick Lamar and GOOD Music boss Kanye West are both featured on the Favorite Hip Hop Artist list, Drake is one among other iconic artists contending for the Favorite Male Artist title.

Apart from this, the OVO Sound Star has already racked up a phenomenal year, marking 12 Soul Train Award nominations, 14 BET Hip Hop nominations, as well as surpassing Michael Jackson's record for the most Ame

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Duck Down Records Announce "Silverback Set" in Memory of Sean Price

Sean Price's legacy continues on as Duck Down Records drops the Silverback Gorilla Box Set in memory of the “Monkey Bars” rapper.

Scheduled to release on November 25, Price's long trusted record label will be providing access to said box set, shipped out with a familiar cage door containing a myriad of memorabilia and trinkets that capture the essence of Price's career.

The package includes physical copies of Price's three critically-acclaimed albums: Monkey BarzJesus Price Supastar, and Mic Tyson, condensed in a classy 3-CD box kit, a custom magnetic gorilla cage polished with subtle graffiti marks depicting key words relative to the artist, hologram cover art displaying Price battling agai

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RAPstation exclusive interview pt.III: Diamond Ortiz

As Bay Area funk aficionado Diamond Ortiz rolls out his new full-length album, Loveline, the enthusiasm for the world to hear it must be off the charts. In the course of 15 tracks, Ortiz’s heavy, bounce-laden style carries the album from start to finish, cementing him as California’s heir apparent to the gutter synth funk sound, which originated from Ohio and found an adopted home out West, where it fit perfectly with the cultures of lowriding and pop-locking. According to a press release, his sound is not simply “retro” or “old school,” it has it has a place in the modern day pantheon of electronic music. In Part III of the Diamond Ortiz interview, he talks about the single “In The Cut Like Whaat,” meeting P-Funk’

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On This Day: LL Cool J Debuted on “Radio”

On this day, LL Cool J released his groundbreaking debut album Radio, marking a cornerstone chapter not only for the record's author, but for Hip-hip in its vast entirety.

Released under Def Jam Records, Radio signified the label's first full-fledged album with production managed entirely by Rick Rubin, whose minimal, bare-bones approach and instrumentation seemingly flowed exceptionally well with the seventeen-year-old Cool J, “the result is rap at its most skeletal, with a hard-hitting, street-level aggression that perfectly matches LL's cocksure teenage energy,” as reviewed by AllMusic's Steve Huey.

While the album attained much commercial success with over 500,000 copies sold in its first

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