RapStation

First impressions account for a great deal in the rap game. When you first hear the latest MC spit you're looking to have your expectations met. It’s an all or nothing situation for the you the listener. Whether you follow their career or not could hang on 16 to 32 bars. Does what they say connect with you on a personal level or not? Is it a verse you want to rewind and analyze to catch the metaphors or underlying themes? Or is it that it was a fucking fire verse of utter brilliance? That’s the criteria that I use. I guess as a fan of the music since the late 80’s I’ve built up tastes that must be met. Eff Yoo delivers on all those previously mentioned aspects. He is a real MC. A real MC entertains and educates. A real MC puts

Brooklyn-based emcee/producer Oddisee dropped a new single Tuesday, April 19 for “Born Before Yesterday.” The track appears on his upcoming instrumental album The Odd Tape, which comes out May 13 on Mello Music Group. In a press release, Oddisee revealed the meaning behind his new release. 

"The Odd Tape is meant to be a day-in-the-life piece set to audio,” he said. “Each track is the theme music to my routine. ‘Born Before Yesterday’ takes its title from the daily proposals I receive that question intelligence in ways that only the music industry can."

Oddisee is gearing up for a productive year, which includes an intern

Dessa is unpacking her suitcase when she picks up the phone. As the sole female voice of Minneapolis hip-hop collective Doomtree, she’s used to living on the road, especially when pushing a new project. The group’s most recent album, All Hands, dropped last year and members Lazerbeak, P.O.S., Cecil Otter, Mike Mictlan, Sims, Paper Tiger, and of course, Dessa, have been all over the world promoting their unique brand of hip-hop. 

When she’s not traveling with the boys, however, she’s focused on solo albums, her female acapella group Boys Soprano, short stories, poetry, or one of her many other creative endeavors. As president of Doomtree Records, she’s got her hands full on the business side, as well. 

Since her so

This weeks spotlight artist is Francisco Velez Jr., also known by his stage name, Crotona P., and his song, “Let The Horns Go,” is not only a RAPstation song submission, but is currently #3 on the RAPstation, RAP50 countdown. He was born and raised in the Bronx New York up until he was 32 when he moved to his current residency in Rochester NY. As a teenager, he would write and record and even now he has maintained that passion throughout his life. Focusing on music, he picked up a part time job for the cash flow to take care of his family and still be able to write and record, what he expressed was a big part of his life, his music. Getting caught up in street stuff, Crotona P has managed to put that behind him and re-discover his passion. His love f

Wale headed to his native land of Nigeria in his latest music video for his song “The God Smile”. Born Olubowale Victor Akintimehin, Wale is the son of immigrant Nigerian parents. This particular track comes from Wale’s 2015 No. 1-selling LP The Album About Nothing. Following “The Matrimony” and “The Girls On Drugs” this track serves as the third-single from the record. 

Aside from rapping, the multi-faceted rapper has begun to diversify his brand in 2016. The Grammy-nominated artist has his own video game in the works as well as interactive fashion look books. Speaking about his new ventures into the world of technology Wale said, “It’s the evolution of the music business…you don’t really make

Kansas City rapper Krizz Kaliko can normally be found sharing the stage with fellow K.C. rapper Tech N9ne, killing it with his rapid fire raps. Since emerging with Tech’s label, Strange Music, Inc., he’s proven himself to be an irreplaceable member of the Strange Music family and a beloved artist beheld by countless fans. 

But it’s not just his rhyming skills that have attracted attention. He’s also an incredible singer with an astonishing vocal range, which he brilliantly showcases on his new R&B/pop album, GO. 

The 16-track effort is complete departure from his usual style, and has the listener wanting to dance and cry at the same time. The album evolved out of one of Krizz’s most difficult periods in life,